Temporal Jehangir

This is a crop from a much larger painting of Jehangir holding a temporal astrolabe. The original was is perhaps the largest painting to have emerged from the Mughal period. The painting was created by Abu al-Hasan who was the son of Aqa Reza (a leading artist of the Persian Safavid Court who later took employment under Jehangir) of Herat in Safavid Iran, a city with an artistic tradition. When Abu al-Hasan began producing art a young age, the emperor, Jahangir, greatly appreciated his skills of the boy. In 1599, Abu al-Hasan moved with Jahangir to his newly founded court in Allahabad. The emperor considered Abu al-Hasan to be particularly special to him and under his care. This is because although Abu al-Hasan’s artwork was similar in many ways to his father’s with Dutch and English influence, it was considered to be of a higher quality similar to that of older masters in the field. Jahangir said of Abu al-Hasan that he had no equal and for the work done on the frontispiece for his memoires, the emperor bestowed the title Nadir-uz-Saman ("Wonder of the Age") on Abu al-Hasan in 1618. Abu al-Hasan's main task was the documentation of events at the imperial court, which resulted in many portraits being completed. Portraits were the hallmark of Jahangir’s rule. Not many of Abu al-Hasan's paintings survived or are hidden in the coffers of museums and collectors, but those that identify him as the artist show that he also worked on a range of subjects, including some everyday scenes and political paintings that showed the emperor and Mughal empire in a positive and powerful light. While Abu al-Hasan’s career aligned with developments in the style of Mughal paintings, when Jahangir's reign came to an end, and Shah Jahan began his rule, Abu al-Hasan influence and works rescinded into oblivion. This painting was made when Abu’l Hasan was still living in Mandu (before he was invited by Jehangir to the royal court) and uses gouache heightened with gold leaf on a fine woven cotton canvas. Jehangir is shown seated on a European-style throne with decoration formed from raised red pigment, possibly lead, his head surrounded by a radiating nimbus and wearing an embroidered floral tunic over a patka and striped pyjama, with applied plaster jewellery, the circular pendant around the Emperor's neck set with mica, with jade and glass vessels at his side and carpet under his feet. One thing notable about the original uncropped version of this work is that it is also one of the most expensive Mughal Paintings in today’s age, having fetched a king-size price of Rupees 13 Crores after it was sold at an English auction house in 2010.

Museum Grade Canvas

Museum grade 370 GSM Canvas by Hahnemuhle

Matt-coated inkjet canvas | poly - cotton fabric | 370 gsm | Natural white | Zero artificial optical brighteners | Acid and lignin free | Museum quality for highest age resistance

Archival Paper

Premium Age Resistant Art Paper – 200 GSM

Matt finish premium | Rough Textured Surface | 200 GSM | 100% Cotton Fibers | Acid Free | High Age Resistance

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Premium Frames curated by The Maazi Merchant

Curated Frames | Choose from a broad selection of Natural Wood and Fiber Frames | Each item is framed with a 1.5 Inch Mount

Stretched Canvas

Hand Stretched Canvas Wrap on Wood Frame

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Unframed Prints

Unframed Prints shipped in Spiral wound chipboard tubes

Unframed Prints are shipped in round mailing art tubes are made of spiral wound chipboard | Ideal for shipping and storing artwork, papers or documents | Tube sizes vary on the item purchased | Offers the best possible protection